Work

  • Shade Painting: Sap Green Lake Extra, 2013 • oil on canvas, 55.88 × 55.88 cm
    Shade Painting: Sap Green Lake Extra, 2013 • oil on canvas, 55.88 × 55.88 cm
  • Olive Green, 1995 • watercolour on paper, 76.5 x 57.5, framed
    Olive Green, 1995 • watercolour on paper, 76.5 x 57.5, framed
  • Yellow Mandarin, 1989 • enamel on wood, 91.5 x 91.5 x 1.8 cm
    Yellow Mandarin, 1989 • enamel on wood, 91.5 x 91.5 x 1.8 cm
  • Black painting ≠ III : Ultramarine Blue/Burnt Umber, 1979 • oil on canvas, 213 x 198 cm
    Black painting ≠ III : Ultramarine Blue/Burnt Umber, 1979 • oil on canvas, 213 x 198 cm
  • «Marcia Hafif» 2017 • Installation view at Kunstmuseum St. Gallen (CH)
    «Marcia Hafif» 2017 • Installation view at Kunstmuseum St. Gallen (CH)
  • «The Inventory» 2017 • Installation view at Kunsthaus Baselland, Muttenz (CH)
    «The Inventory» 2017 • Installation view at Kunsthaus Baselland, Muttenz (CH)
  • «The Inventory» 2017 • Installation view at Kunsthaus Baselland, Muttenz (CH)
    «The Inventory» 2017 • Installation view at Kunsthaus Baselland, Muttenz (CH)

News

Oliver Mosset

Olivier Mosset (b.1944) is one of the central figures in post-war abstract painting, and a pivotal reference for generations of European and American painters. Associated with Daniel Buren, Michel Parmentier, and Niele Toroni, he was a member of the ephemeral B.M.P.T. “group.” His extensive series of circle paintings, executed in the late 1960s and early 1970s, is among the most widely discussed works of that era.

At the same time, several rooms are devoted to movements and artists with whom Mosset was or remains closely associated, allowing us to consider his work in a variety of different contexts. In addition to a section devoted to the activities led with Buren, Parmentier, and Toroni, the exhibition features works by Nouveaux Réalistes

(notably Jean Tinguely and Daniel Spoerri, for whom Mosset worked as an assistant), experimental film-makers’ collective Zanzibar (with whom Mosset directed, acted in and produced a number of films), American “Radical painting” of the 1970s and 1980s (including Marcia Hafif and Joseph Marioni) and artists such as Sherrie Levine, Steven Parrino, Cady Noland, John Armleder, and Sylvie Fleury, with whom he has maintained a regular dialogue.

Im Garten der Farben

Ausgehend von dem Thema Farbe zeigt die neue Ausstellung im PEAC Museum einen repräsentativen Ausschnitt aus der Sammlung des kürzlich verstorbenen Mäzens Paul Ege, dessen Interesse zeitlebens Bildern galt, die sich grundlegend mit dem Verhältnis von Materialität und Visualität auseinandersetzen.

Gallery Exhibitions

Group Show (Adieu Gessnerallee!)

Red Colors: Oil

Enamel on Wood