Category Archives: Shows

How’s My Painting – Deichtorhallen, Sammlung Falckenberg, Hamburg

Following the anniversary exhibition INSTALLATIONS FROM 25 YEARS OF THE FALCKENBERG COLLECTION (2019), which was dedicated to installations as the core medium of the Falckenberg Collection, the focus will shift to painting in 2025. In the exhibition HOW’S MY PAINTING?, the medium will be presented comprehensively for the first time with over 100 works from the Falckenberg Collection.

Starting with Werner Büttner, Albert Oehlen and Martin Kippenberger, who stirred up the established art scene of the 1980s with their punk-inspired attitude and, together with their American colleagues of the same age Raymond Pettibon and Mike Kelley, represent the concept of counter culture that has shaped the Falckenberg Collection, the exhibition spans an arc to all varieties of the medium, from panel painting to its installative, deconstructive and conceptual manifestations.

Es ist sehr schön, was du gemacht h… Matthias Bosshart, Urs Frei, Adrian Schiess – Kunst(zeug)haus, CH – Rapperswil

Die Ausstellung mit Werken von Matthias Bosshart (*1950, Eschlikon), Urs Frei (1958, Zürich – 2023, Zollikon) und Adrian Schiess (*1959, Zürich) widmet sich deren künstlerischen Austauschmomenten und Überschneidungspunkten. Charakteristisch für die drei Künstler sind abstrakte, nicht-illustrative Arbeiten. In ihrem Schaffensprozess spielen oder spielten die Handhabung der verwendeten Materialien, die Aussagekraft der entschiedenen Farbigkeit und der Objektcharakter der Bilder eine ausschlaggebende Rolle. Charakteristisch ist ihnen das Ausloten der Grenzen des Mediums Malerei, indem nicht der Abbildcharakter, sondern die Materialität von Farbe im Zentrum steht. Bei allen drei Kunstschaffenden geschieht dies auf individuelle Weise. Doch in der Zusammenschau ihrer Arbeiten werden relevante Gemeinsamkeiten sichtbar

Die Ausstellung schafft einen spannungsreichen Raum, in dem die Kunstwerke der drei Kunstschaffenden das erste Mal gemeinsam präsentiert werden. Zudem handelt es sich um die erste Ausstellung der Arbeiten von Frei nach dessen Tod im vergangenen Jahr. Der Titel der Ausstellung «Es ist sehr schön, was du gemacht h…» ist ein Werkzitat von Bosshart und nimmt Bezug auf ein Video von ihm. Wenngleich das Zitat hier als Ausdruck der Wertschätzung von Bosshart und Schiess ihrem engen Künstlerkollegen Frei gegenüber zu lesen ist, wohnt ihm auch eine provokative Note inne: Was bedeutet dieser allzu häufig leicht daher gesagte Zuspruch? Die Ausstellung, die noch zu Lebzeiten Freis initiiert war, ist eine Bestätigung der Anerkennung dem verstorbenen Freund gegenüber, dessen Werk von beachtlicher kunsthistorischer Bedeutung ist und bleibt.

Hommage to Joseph Marioni – Von der Heydt-Museum, Wuppertal, Germany

Joseph Marioni is internationally regarded as one of the leading figures of Radical Painting, an art movement wholly dedicated to the exploration of color. In September 2024, he passed away at the age of 81. To honor his legacy, the Von der Heydt Museum—home to one of Marioni’s characteristic works—will pay tribute to the painter with a special exhibition.

Born in 1943 in Cincinnati, Ohio, Marioni lived and worked in New York. His work has been featured in numerous solo and group exhibitions across the United States and Europe, and is part of several major private and public collections, including the Whitney Museum of American Art in New York, the National Gallery of Art in Washington, the San Francisco Museum of Art, the Kunstmuseum Basel, Museum Abteiberg Mönchengladbach, Kolumba Cologne, the Goetz Collection in Munich, and the Kunstmuseum Wolfsburg.

 

Gärna avantgardistisk konst – Schyls donation at RAVINEN, Båstad, Sweden

with works by Donald Baechler, Barton Lidice Beneš, Bärd Breivik, Toshikatsu Endo, Gilbert & George, Antony Gormley, Olav Christopher Jenssen, Per Kirkebv, Imi Knoebel, Jiri Kolár, Ted Kurahara, Axel Lieber, Richard Long, Nino Longobardi, Francesco Motolese, Claes Oldenburg, Paul Osipow, Arnulf Rainer, Andres Serrano, Yasse Tabuchi, Leon Tarasewicz, Gabriele Trinchera, Biorn‑Sigurd Tufta, Victor Vasarely, Sverre Wyller and Jules Schyl.

During the spring, RAVINEN presents a collection of international art from the end of the 20th century. The exhibition is curated by Sune Nordgren, who has made a selection from the Schyl donation. The donation was made as a generous gesture and invitation to the City of Malmö by Karin and Jules Schyl. It contained a large stock portfolio and a studio filled with art by Schyl. Everything was to be sold, and the funds were to be used to buy “original foreign art – preferably avant-garde”. As director of Malmö Konsthall in the 1990s, Sune Nordgren played a decisive role in ensuring that international contemporary art was shown in Skäne.
He was also involved in the art purchases made by the representatives of the Schyls’ donation. The collection now belongs to Malmö Art Museum.

Nichts als die Welt

works by Ingmar Alge (*1971), Marc Bauer (*1975), Maya Hottarek (*1990), Ursula Palla (*1961), Bernhard Sauter (1941 –1997), Christine Streuli (*1975), Cécile Wick(*1954)
curated by Julian Denzler

 

 

All That You See – Kunsthalle, Göppingen


The central themes in the work of painter Giacomo Santiago Rogado (*1979) are perception and seeing itself. His painting enables visual experiences that stimulate and sharpen perception. Rogado’s works encourage us to take a closer look – raising questions about spatiality, three-dimensionality and materiality. In his work, he combines the most diverse traditions of the painterly medium and explores its limits with tools, techniques and materials.

The exhibition ALL THAT YOU SEE provides a comprehensive overview of the painter’s oeuvre and shows works from his various groups of works. The artist’s works will be on display on both levels of the museum – in the Shedhalle, in C1 and in the hall below. An expansive and walk-in installation is also part of the exhibition, with which Rogado continues his key themes: Viewers can walk through the installations and are thus completely surrounded by the paintings. The idea of pictorial space and its expansion thus takes on a new dimension. The panel painting has opened up into the three-dimensional.

A digital encounter with the artist’s work has been created especially for the VR room Playground.

For Joseph Marioni An Exhibtion in memory of the Painter

On September 6, the American painter Joseph Marioni died unexpectedly at the age of 81 in his adopted home of New York. As the son of Italian immigrants, Marioni was well acquainted with European art history. In 1994, we acquired Yellow Painting 1.1982 from a private collection, the first painting that he had exhibited in Germany in the year it was created, in the legendary and highly acclaimed painting room of Cologne painter Günter Umberg. The following year, it was juxtaposed with the sculpture of the standing Ecce homo, created around 1500, which impressively presented the still young concept of the reformed diocesan museum. On the occasion of his solo exhibition at the Kunsthalle Baden-Baden, Marioni had the opportunity to view the presentation. He found himself in the cross-temporal and cross-media juxtaposition in a way that he had never experienced before. This was followed by an ongoing and intensive dialog about painting, which we will miss just as much as his hospitality, generosity and warmth of heart. Important milestones in our relationship included the solo exhibition Joseph Marioni – Triptych, which we showed in 1999 immediately after Andy Warhol – Crosses at the old location, the opening exhibition in the new building (2007 – 2008) and the annual exhibition Noli me tangere (2010 – 2011), within which his works formed a common thread. With four selected works from the years 1974, 1982, 1999 and 2017, the exhibition For Joseph Marioni can lay claim to the character of a small retrospective. It provides an insight into the painter’s lifelong struggle for painting as a body of color, color of light.

Concepts of the All-Over – Haus Konstruktiv, Zurich

In Concepts of the All-Over, Museum Haus Konstruktiv is presenting a magnificent group show that celebrates the combining of colors, shapes, light and architecture. As the final exhibition to be held in the ewz Unterwerk Selnau building before the museum moves to the Löwenbräukunst site in spring 2025, it is also a homage to the historical industrial structure that has been our home for over two decades. Visitors will be able to experience large-scale works by Carlos Bunga, Carlos Cruz-Diez, Fritz Glarner, Ana Montiel, Reto Pulfer, Christine Streuli and Esther Stocker.