Category Archives: News

3 x 2: Fokus Winterthur, CH – Kunstmuseum Winterthur

Reto Boller / Céline Brunko

The December Exhibition is traditionally the platform for artists from the city and region of Winterthur. For some time now, it has taken place every year in the form of a juried exhibition at the Kunsthalle and the Kunst Museum Winterthur as well as a Focus Exhibition in which artists were invited to exhibit only at the Kunst Museum Winterthur. In 2025 all artists in the region were invited to submit their portfolio; a jury of experts chose around thirty artists from these applications. For the Focus Exhibitions, however, various approaches have been tried over the years. In the past, artists chosen by the curatorial team have each invited a fellow artist, or in one instance, the museum only invited young artists who had not yet participated in exhibitions.

For 2026 the Kunst Museum Winterthur has fundamentally changed the concept of the Focus Exhibition. Instead of mounting a curated group exhibition with ten to twelve invited artists, a total of six artists were invited. Two artists at a time will each activate a cabinet room in the Museum Reinhart am Stadtgarten in parallel; this is why the exhibition is titled 3 x 2.

This concept enables the museum to grant each artist a significantly larger presence by giving them their own room and concentrating on the individual artist. It also allows the museum to fundamentally question cherished traditions of the December Exhibition and to test new approaches to supporting regional artists and improving their visibility in the Kunst Museum Winterthur.

Curated by Konrad Bitterli and Andrea Lutz

Senses Enchanted — Kunsthaus Baselland, CH – 4142 Münchenstein/Basel

Thanks to the collaboration with the renowned ”la Caixa” Foundation, it has been possible, for the first time, to present works by Geneviève Cadieux, Esther Ferrer, Douglas Gordon, Cristina Iglesias, Anish Kapoor, Ernesto Neto, Tobias Rehberger, and Soledad Sevilla in these exhibition spaces. Together with Maya Rikli, Giacomo Santiago Rogado, Hagar Schmidhalter and Rémy Zaugg they create a parcours through the Kunsthaus that invites visitors to navigate the galleries in new ways. The exhibition’s title, Senses Enchanted, evokes the desire to move among the artworks with all the senses, almost as if riding on a wave, while allowing oneself to be moved in return.

Curated by Ferran Barenblit and Ines Goldbach

Faltungen, Museum Bickel, CH – Walenstadt


SONNTAG, 27. SEPTEMBER 2026  ·  10.30 UHR

Rundgang durch die Ausstellung «Faltungen»

mit Noëmi Bechtiger, Kuratorin, und Patrick Rohner

Museum Bickel, Walenstadt


SONNTAG, 11. OKTOBER 2026  ·  16 UHR

Ausstellungsgespräch «Faltungen»

Patrick Rohner im Gespräch mit Freund:innen aus Kunst und

Naturwissenschaft :

Florian Mehnert, Künstler, Annette Schindler, Archivarin,

Tobias Ibele, Geologe und Lucie Tuma, Choreografin

 


SAMSTAG, 24. OKTOBER 2026, 10 – 17 Uhr

Öffentliche Begehung am Walenstadtberg mit Patrick Rohner

Wanderung im Gebirge mit Blick auf die Faltungen der

Churfirsten

und den Walensee Flyer (PDF)  


SONNTAG, 8. NOVEMBER 2026  ·  16 UHR

Ausstellungsgespräch «Faltungen»

Patrick Rohner im Gespräch mit Freund:innen Kunst und

Naturwissenschaft :

Konrad Bitterli, Direktor Kunstmuseum Winterthur, Reto Boller,

Künstler, David Bresch, Physiker, Invar T. Hollaus,

Kunsthistoriker, Peter Hubacher, Architekt und

Helmut Weissert, Geologe


SONNTAG, 22. NOVEMBER 2026  ·  11 UHR

Finissage mit Buchpräsentation «Faltungen – Patrick Rohner»

Kuratorin Noëmi Bechtiger im Gespräch mit Anne Hoffmann,

Grafikerin und den Fotografenen Guido Kasper und

Rudolf Moser sowie Patrick Rohner



3 x 2: Fokus Winterthur, CH – Kunstmuseum Winterthur

Dave Bopp / Nicole Bussien

The December Exhibition is traditionally the platform for artists from the city and region of Winterthur. For some time now, it has taken place every year in the form of a juried exhibition at the Kunsthalle and the Kunst Museum Winterthur as well as a Focus Exhibition in which artists were invited to exhibit only at the Kunst Museum Winterthur. In 2025 all artists in the region were invited to submit their portfolio; a jury of experts chose around thirty artists from these applications. For the Focus Exhibitions, however, various approaches have been tried over the years. In the past, artists chosen by the curatorial team have each invited a fellow artist, or in one instance, the museum only invited young artists who had not yet participated in exhibitions.

For 2026 the Kunst Museum Winterthur has fundamentally changed the concept of the Focus Exhibition. Instead of mounting a curated group exhibition with ten to twelve invited artists, a total of six artists were invited. Two artists at a time will each activate a cabinet room in the Museum Reinhart am Stadtgarten in parallel; this is why the exhibition is titled 3 x 2.

This concept enables the museum to grant each artist a significantly larger presence by giving them their own room and concentrating on the individual artist. It also allows the museum to fundamentally question cherished traditions of the December Exhibition and to test new approaches to supporting regional artists and improving their visibility in the Kunst Museum Winterthur.

Curated by Konrad Bitterli and Andrea Lutz

Fabian Treiber – ibid – 30 positions on contemporary painting, Kunsthalle, D – Nuernberg

In the summer of 2026, the Kunsthalle Nürnberg, in collaboration with the Institute for Modern Art and the Kunstverein Nürnberg – Albrecht Dürer Society, will present an extraordinary large-scale project: Under the title “ibid.,” the exhibition brings together 30 international perspectives on contemporary painting.

The title “ibid.”—an abbreviation of “ibidem,” Latin for “in the same place”—refers to a common starting point: the time the participating artists have spent together over the past 15 years at the Defet Studio and Gallery House in Nuremberg as part of the Marianne Defet Painting Fellowship. Through their engagement with the city, its architecture, people, and stories, a unique exchange emerged in each case, one that resonates in the works. The exhibition aims to build on this, seeking to offer both a collective space for resonance and a forward-looking overview of contemporary perspectives in painting.

 

 

 

Jürg Stäuble – Art Môtiers 2026

The Art Môtiers exhibition is a unique celebration of contemporary Swiss art. It has been held every 4 to 8 years since 1985, in the enchanting setting of the thousand-year-old village of Môtiers, in the heart of Val-de-Travers. The 2026 edition of Art Môtiers is a continuation of that tradition, but with a whole host of new features. Some forty artists from all over the country have been selected to transform the surrounding countryside once again into a unique open-air art space.

You’ll be able to stroll from exhibit to exhibit while enjoying a pleasant stroll through the village and surrounding forests, filled with stories and legends. The natural beauty of the landscape, combined with the artistic installations, creates an exceptional setting for total immersion.

The exhibition is open to both discerning art lovers and curious novices, as well as families in search of an original and enriching outing, and offers two route options, one of which is accessible to people with reduced mobility.

IN MINOR KEYS 61st International Art Exhibition Biennale Arte, Venice

The 61st International Art Exhibition of La Biennale di Venezia, In Minor Keys by Koyo Kouoh, – which will run from Saturday 9 May to Sunday 22 November 2026 at the Giardini, the Arsenale and in various locations around Venice. The pre-opening will take place on May 6, 7, and 8, while the awards ceremony and inauguration will be held on Saturday, May 9, 2026.

After the premature passing of Koyo Kouoh in May 2025, with the full support of her family, La Biennale di Venezia decided to carry out her Exhibition, with the purpose of preserving, enhancing and widely disseminating her ideas and the work she pursued with such dedication to the very end. Koyo Kouoh, nominated as the Artistic Director of the Visual Arts Department in November 2024, already developed the curatorial project, defining its theoretical framework, selecting the artists and the artworks, designating the authors of the catalogue, determining the graphic identity of the Exhibition and the architecture of the exhibition spaces, and establishing a dialogue with the artists invited to participate.

In Minor Keys is the title chosen by Koyo Kouoh for the 61st International Art Exhibition, as specified in the curatorial text, which was sent to the President of La Biennale on 8 April 2025. The Exhibition will be realised with the contribution of the team selected by Koyo: Gabe Beckhurst Feijoo, Marie Hélène Pereira and Rasha Salti (advisors); Siddhartha Mitter (editor-in-chief); and Rory Tsapayi (research assistant).

Wiedereröffnung, Museum Langmatt, CH-Baden

Grand reopening following a two-year renovation.

Ceremony and opening receptions for the inaugural exhibitions “Welcome Back – The Collection Returns,” “BiglerWeibel,” “Reto Boller,” “Silvan Wegmann,” and “Schaufenster Archiv – Provenance Research”

Welcome remarks: Martina Bircher, Member of the Aargau Cantonal Government; Benjamin Steiner, Baden City Councilor; Lukas Breunig-Hollinger, President of the Langmatt Foundation
Introductions: Erich Niklaus, architect, on the renovation; Markus Stegmann, Director of the Langmatt Museum, on the exhibitions

 

wohin – woher – womit: Eine partizipative Sammlungsausstellung , Kunst(zeug)haus, CH-Rapperswil

Wann waren Sie das letzte Mal in einem Museum, in dem Ihre Erfahrungen, Geschichten oder Perspektiven sichtbar wurden? Haben Sie sich schon einmal in einer Ausstellung wiedergefunden? Die Ausstellung wohin – woher – womit fragt, wie Räume für Erinnerung, Kunst, Identität und Zugehörigkeit entstehen können.

Engagierte Menschen aus Rapperswil-Jona und Umgebung haben gemeinsam mit dem Team des Kunst(Zeug)Haus an dieser Ausstellung gearbeitet. Sie haben Werke ausgewählt, eigene Perspektiven eingebracht und Inhalte des Vermittlungsprogramms mitentwickelt. Ihre Stimmen prägen die Ausstellung wesentlich. So entsteht ein Ort des Austauschs: zwischen Kunstwerken und Betrachtenden, zwischen Besucher:innen und zwischen unterschiedlichen Erfahrungen und Lebensrealitäten. Bedeutung entsteht im Dialog. Unterschiedliche Perspektiven eröffnen neue Zusammenhänge und weiten unseren Blick.

Mit Werken von ALMA, Vincenzo Baviera, Ueli Berger, Biefer/Zgraggen, Reto Boller, Lis Kocher, Luo Mingjun, Barbara Mühlefluh, Niklaus Rüegg, Verena Sieber-Fuchs, Roman Signer, Paul Stöckli, Studer/van den Berg, Hugo Suter und Martina Vontobel.

Urs Frei. A – Z, Kunstmuseum, CH – St. Gallen

The Kunstmuseum St.Gallen presents a major retrospective of the Swiss artist Urs Frei (1958–2023), who found international success in the 1990s. His radical works, made from everyday building and packaging materials such as wood, metal, cardboard, and plastic, move between painting, sculpture, and object. Urs Frei’s oeuvre stands in a lineage of artists working with humble, provisional materials— an approach that today is experiencing a notable revival among many young artists internationally.

François Morellet 100 per cent, Centre Pompidou, F – Metz

2026 marks the centenary of the birth of François Morellet (1926-2016). To commemorate it, the Centre Pompidou-Metz presents a retrospective in 100 works ranging from 1941 to 2016 — the most comprehensive retrospective to date of François Morellet.

Morellet is unique in that he was both the leading French figure of geometric abstraction and the one who most decisively contributed to destabilising it. Through the selected works, this major retrospective explores the ambivalence between reason and unreason, between the legacy of Francis Picabia and that of Piet Mondrian, whom the artist liked to refer to.

Within the 1,200 square metres of Galerie 3 of the Centre PompidouMetz, the exhibition offers the public the chance to experience this ambivalence through two chronological paths, from Morellet’s early pictorial experiments from the 1940s, rarely shown until now, to his baroque neon works from the 2010s. The first path reveals Morellet’s work within the prevailing rules and the glories of pictorial materialism. The other path focuses on Morellet’s optical irrationality and Neo-Dadaist distance. One of these two aspects alone would have been sufficient to establish Morellet’s historic grandeur. From April 3 to September 28, 2026, the Centre Pompidou-Metz will therefore offer visitors the chance to see the two sides of Morellet’s greatness.

Impulse Paula – Worpswede-Museen, D – Worpswede

On February 8, 2026, Paula Modersohn-Becker would have turned 150 years old. During her lifetime, the artist sold hardly any of her paintings. It was only in the decades after her death that the art world recognized the magic inherent in her unique style. Today, her paintings are considered milestones of Expressionism. With her work and her life, Paula Modersohn-Becker was both a role model and a source of inspiration. Contemporary artists  are inspired by her.

Art 35 Basel

Art 35 Basel Unlimited

Art 34 Basel

Art 33 Basel

Art 32 Basel

Art Cologne 2000

Art Cologne 1999

Art 30 Basel

Art Cologne 1998

Art 29 Basel

FIAC Paris 1997

Art 28 Basel

Art 27 Basel

Art Cologne 1995

Art 26 Basel

Art Cologne 1994

Art 25 Basel

Four Honest Outlaws – Sala Ray Marioni Gordon

published by Michael Fried for the Yale University Press
In this strongly argued and characteristically original book, Michael Fried considers the work of four contemporary artists: video artist and photographer Anri Sala, sculptor Charles Ray, painter Joseph Marioni, and video artist and intervener in movies Douglas Gordon.
«Four Honest Outlaws» takes its title from a line in a Bob Dylan song, «To live outside the law you must be honest», meaning in this case that each of the four artists has found his own unsanctioned path to extraordinary accomplishment, in part by defying the ordinary norms and expectations of the contemporary art world.
Michael Fried will moderate a symposium «PAINTING NOW: A discussion taking off from the work of Joseph Marioni»,
The Phillips Collection, Washington, DC (USA), December 10, 2011

The Archive in the Worm

Verlag für Moderne Kunst, with essays by Andrés Duprat, Carl Friedrich Schröer and Raimund Stecker.
Published on the occasion of the eightpart transcontinental exhibition in Argentina, Germany and Switzerland.
«Martín Mele lives in a foreign land, it’s uncertain how foreign, how distant or familiar it is. For he has lived abroad for some time, actually forever. …»

Aufsetzpunkt

published by modo Verlag on the occasion of the exhibition at Kunst(Zeug)Haus, Rapperswil-Jona from April 7 until June 19, 2011.
with essays by Invar-Torre Hollhaus and Daniela Hardmeier.