Work

  • Mele Mobil, 2017 • singlet, underpants, socks, wood, suitcase, Mele utensils, 
152 x 82 x 120 cm
    Mele Mobil, 2017 • singlet, underpants, socks, wood, suitcase, Mele utensils, 152 x 82 x 120 cm
  • Ohne Titel, 2017 • plaster, pants, newspapers, adhesive tape, wood, 130 x 47 x 35 cm
    Ohne Titel, 2017 • plaster, pants, newspapers, adhesive tape, wood, 130 x 47 x 35 cm
  • Schlüsselanhänger, 2014 • fabric filled, metal, iron gilded, 128 × 30 × 20 cm
    Schlüsselanhänger, 2014 • fabric filled, metal, iron gilded, 128 × 30 × 20 cm
  • In this white cube there is no hunger, 2014 • installation view at Kunstverein Grafschaft Bentheim, Neuenhaus (D)
    In this white cube there is no hunger, 2014 • installation view at Kunstverein Grafschaft Bentheim, Neuenhaus (D)
  • In this white cube there is no hunger, 2014 • installation view at Kunstverein Grafschaft Bentheim, Neuenhaus (D)
    In this white cube there is no hunger, 2014 • installation view at Kunstverein Grafschaft Bentheim, Neuenhaus (D)
  • A NOSE IS A NOSE IS A NOSE, 2012 • installation view at Krefelder Kunstverein, Krefeld (D)
    A NOSE IS A NOSE IS A NOSE, 2012 • installation view at Krefelder Kunstverein, Krefeld (D)
  • Von Menschenhand, 2006 • mixed media
    Von Menschenhand, 2006 • mixed media

News

The Archive in the Worm

Verlag für Moderne Kunst, with essays by Andrés Duprat, Carl Friedrich Schröer and Raimund Stecker.
Published on the occasion of the eightpart transcontinental exhibition in Argentina, Germany and Switzerland.
«Martín Mele lives in a foreign land, it’s uncertain how foreign, how distant or familiar it is. For he has lived abroad for some time, actually forever. …»

Gallery Exhibitions

Group Show (Adieu Gessnerallee!)