• H-24.1 (schwarz-weiss), 2024 • paper, helmets, synthetic resin lacquer, 155 x 260 x 27 cm
    H-24.1 (schwarz-weiss), 2024 • paper, helmets, synthetic resin lacquer, 155 x 260 x 27 cm
  • W-24.1 (Methode), 2024 • foamed plastic board, acrylic lacquer, metal angle, round steel chain, screws, 100 x 100 x 58 cm
    W-24.1 (Methode), 2024 • foamed plastic board, acrylic lacquer, metal angle, round steel chain, screws, 100 x 100 x 58 cm
  • SCH-24.1 (Schilderung), 2024 • acrylic lacquer, glue, aluminium, nail, 77 x 31 x 10 cm
    SCH-24.1 (Schilderung), 2024 • acrylic lacquer, glue, aluminium, nail, 77 x 31 x 10 cm
  • bereit zu tragen, 2021 • Installation view Kunsthalle Arbon, Arbon, Switzerland
    bereit zu tragen, 2021 • Installation view Kunsthalle Arbon, Arbon, Switzerland
  • bereit zu tragen, 2021 • Installation view Kunsthalle Arbon, Arbon, Switzerland
    bereit zu tragen, 2021 • Installation view Kunsthalle Arbon, Arbon, Switzerland
  • 2019/20 • Installation view at new housing estate Glattpark, Opfikon, Switzerland
    2019/20 • Installation view at new housing estate Glattpark, Opfikon, Switzerland

News

Aufsetzpunkt

published by modo Verlag on the occasion of the exhibition at Kunst(Zeug)Haus, Rapperswil-Jona from April 7 until June 19, 2011.
with essays by Invar-Torre Hollhaus and Daniela Hardmeier.

 

Gallery Exhibitions

Group Show (Adieu Gessnerallee!)