Work

  • Näher beim Mond, 2020 • colored pencil  and oilpen on paper, 157 x 117 cm
    Näher beim Mond, 2020 • colored pencil and oilpen on paper, 157 x 117 cm
  • Im Universum, 2020 • colored pencil  and oilpen on paper, 86 x 89 cm
    Im Universum, 2020 • colored pencil and oilpen on paper, 86 x 89 cm
  • Doppelgesicht, 2020 • colored pencil  and oilpen on paper, 76 x 60 cm
    Doppelgesicht, 2020 • colored pencil and oilpen on paper, 76 x 60 cm
  • Seepferdchens Alptraum - oder sexuelle Obsession (in deutsch), 2020 • colored pencil  and oilpen on paper, 180 x 129 cm
    Seepferdchens Alptraum - oder sexuelle Obsession (in deutsch), 2020 • colored pencil and oilpen on paper, 180 x 129 cm
  • Flaschengeist, 2020 • colored pencil  and oilpen on paper, 126 x 80 cm
    Flaschengeist, 2020 • colored pencil and oilpen on paper, 126 x 80 cm

News

Being Safe is Scary

Being Safe is Scary takes its title from a site-specific piece created in 2017 at the Fridericianum Museum in Kassel, Germany, by artist Banu Cennetoğlu for documenta 14. By both repositioning original letters and adding newly cast copies, Cennetoğlu altered the name on the building’s facade so that it read ‘BEINGSAFEISSCARY’. The phrase comes from graffiti on a wall of the National Technical University of Athens, noticed by Cennetoğlu around the time of the signing of the EU-Turkey refugee deal in March 2016. Violating international law on refugee protection, the contract forced every irregular entrant to Greece to be handed over to Turkey, causing reception facilities and temporary camps on the Greek islands to be turned into detention centres.

Gallery Exhibitions

Group Show (Adieu Gessnerallee!)